The French Rapper. Paris, France www.album/feat-rrike
What was the situation in which this photo was taken?
It was Just a selfie, I tried to find my look for my next video: hair drops with black bandanas.
Could you tell us something about what you do?
I’m a french rapper, a member of the Broke Niggaz Crew, and my job is Hip Hop and Street Culture Journalist and Cameraman.
How did you first become interested in it?
I started rappin a long time ago, at 12 years old, and my job since I was 20 years old.
What do you enjoy most about what you do?
Recording new songs, doin shows, listening to music, meeting people and sharing new experiences with them. Interactions and communications. I choose to live that way cause that’s the only way for me to be happy and healthy.
What are you working on at the moment?
I’m working on 2 projects right now, my first EP solo project, and a new Broke Niggaz Crew EP.
What are the challenges in what you do, and how do you overcome them?
Sky’s the limit. I just wanna be a part of the french rap game and make good music for the people. Not only in France, everywhere, that’s my wish. So I must stay confident, and I’m workin hard to reach my goals.
Could you describe your personal style?
My style is different, like me, always on the move, so I can say not static. Always true and real. Tryin to push the limits of my skills and share emotions with the people of all generations.
What is your present state of mind?
Paris State of Mind! That means always on the move, push the limits, and working on everything, makin myself good and proud.
What music are you listening to at the moment?
A lot of Cloud trap music, cause that’s my mood in the moment.
Which artists or designers inspire you?
Every Artists who make my head bounce and breaks the codes. I like to hear or see new ideas and concepts, there are too many right now, so its too complicated to name them all.
What is the purpose of art, in your view?
To be free.
13: How do you spend your free time?
Smoke weed and chillin with my friends and family.
